Thursday, 15 August 2013

Week 3: Experimenting with spaces within the prisms

GUIDE:
Red = Master bedroom
Orange = Garage
Yellow = Living Room
Green = Kitchen
Blue = Bedroom 2
Pink = Bedroom 3
Purple = Study / Guest Room
Grey = Dining
Black = Children's bathroom
White = Guest bathroom
Turquoise = Laundry


First attempt at arranging: Not a huge success, but gained a bit more of an insight into the assignment and what's required. I think for my next attempt I'll either work within a smaller space (as I didn't fill even 2/3 of the envelope), or just think outside the stair pattern and create a more interesting creation. I think if the space were in fact more constrained, the latter will hopefully happen naturally.




Week 2 Exercise and Reflection

The dimensions for each of my spaces are as follows: Based on Stephen Peter's guidelines. It was extremely helpful in guiding me to create the basic spaces. Although I may not use them in my final project, I thought it would be appropriate in familiarising myself with the spaces. Ultimately I will end up changing the respective dimensions to fit into my geometric envelope.

3 bedrooms: 8x4 + 2x3, 3x4, 3x4


Study / guest room: 3x4


Kitchen: 4.5x4


Living Room: 6x4


Separate dining room: 3x4


Childrens bathroom: 2x3


Guest toilet: 2x3


Laundry: 2x3


Parking for 2 cars: 6.1x6.2


Arrangement of spaces: I thought that this arrangement would be appropriate in recreating Piranesi's Prison Etchings. They feature stair-like patterns, however I will have to try and figure out a way of incorporating something arch-y. I haven't yet considered public and private spaces, but rather composed the spaces in a way I deemed appropriate (for example, the children's bedrooms separated by the shared bathroom).




Prism "Envelope": SketchUp didn't really work out for me regarding the movement and rotation of the prisms. I coloured them differently to make the orientation clearer. It is based upon the organisation above. Box (red), Pyramid (blue), and cone (yellow). The pyramid on the top should really be much larger in order to engulf the private rooms shown in the arrangement above. The cone should also be rotated much further so when facing the house, all that will be seen is its circle base. 

I can't say I'm too happy with my prisms. I think I was focusing too much on Piranesi's spaces and the arrangement of spaces I had previously constructed. For my assignment, I think by focusing on different prisms (to the ones I have already used) and spaces I can increase my envelopes volume to work within and, in doing so, construct a far more interesting house.


Based on Cone, Box and Pyramid (from main course blog) below




Thursday, 8 August 2013

Complete Collection of The Prisons (Carceri) by Piranesi


I Title Plate


II The Man on the Rack


III The Round Tower


IV The Grand Piazza


V The Lion Bas-Reliefs


VI The Smoking Fire


VII The Drawbridge


VIII The Staircase with Trophies


IX The Giant Wheel


X Prisoners on Projecting Platform 


XI The Arch with a Shell Ornament


XII The Sawhorse


XIII The Well


XIV The Gothic Arch


XV The Pier with a Lamp


XVI The Pier with Chains


Research Exercise 2

General info:
  • Published 1750-1760
  • Inspired by an opera set
  • No people in majority of scenes
  • Used monumental scale as a means of creating large gothic atmospheres
  • Huge emphasis on light vs. dark
  • Each print feels trapped thanks to intricacy and attention to space/proportions
Prevalent in every etching: Steps, Archways, Pillars

This influenced both folded sheets. I attempted to incorporate all 3 architectural implements, while providing unique shapes and ideas in each respective creation. I hoped the 2 folded formations would be different in order to easier construct a house within the envelope of opposing geometrical prisms. I therefore approached the first sheet in a more rigid mindset, and the second (although not a key feature in Piranesi's work) in a rather spherical fashion.

As a part of my research, I thought I'd look at other examples of Origami Architecture, and if only I had a utility knife! They all happen to represent exactly the same qualities I pathetically attempted to in my Piranesi foldings.


http://www.neatorama.com/2008/02/24/origamic-architecture-stunning-sculptures-cut-out-of-paper/


References
Art History Blogger, "The Imaginary Prisons of Piranesi", Accessed Aug 9 2013, http://arthistoryblogger.blogspot.com.au/2011/08/imaginary-prisons-of-piranesi.html

Folding Exercise

1. Based on XI The Arch with a Shell Ornament


2. Based on XV The Pier with a Lamp
  



3. Based on X Prisoners on Projecting Platform


References

Takaaki Kihara, "Stairs: Origamic Architecture using Scissors", http://www.youtube.com/watch?v=9hrUWHKro1c

Elod Beregszaszi, "Origami Architecture", http://www.youtube.com/watch?v=MLAjkS7ysk8

Recommended videos on Vimeo, from Lawrence King Publishing: http://vimeo.com/23804390http://vimeo.com/41072878http://vimeo.com/23792529

Thursday, 1 August 2013

Research Exercise 1: Design Influence

Piranesi, the Prison Etchings







References
All Images: Mortensen C, "Piranesi's Carceri as Inconsistent," University of Adelaide, November 2007, Accessed August 2 2013. http://www.hss.adelaide.edu.au/philosophy/inconsistent-images/piranesi/